11/6/2023 0 Comments Affinity photo tutorialsNow Gigi is working with magazines, fashion and commercial brands, and modelling agencies all over the world. After finishing school in Lithuania, Gigi moved to study in England where her photography career took off. She grew up in a family of photographers and started shooting from an early age. Gigi is a Lithuanian fashion and portrait photographer based in Brighton. Working in this way will also save you time later so you don’t need to go through thousands of images. This way you minimise your shutter count and speed up your time on set. As soon as you get the shot, move from that pose, location or change the outfit for the next shot. Take your time to compose your shot and make sure the lighting is just right before pressing the shutter. Be precise and intentional: Treat your natural light portrait session like a film camera, where every shot counts.If you have a spare hand or an assistant, you can always use a portable diffuser/reflector. In bright situations I like to look for lighter-coloured backgrounds so images can still look nice and bright but without the harsh light. Always look for some shade and light bounce. Diffuse the light: As I mainly shoot outdoors, I find shooting on sunny days to be a little tricky without getting strong shadows, burnt-out highlights and squinty eyes.By selecting the Cloudy White Balance mode on your camera, you can warm up your images and make your model look livelier and more youthful. Cloudy mode: This is my favourite top tip to achieve warmer tones, especially shooting in England with weather being so unpredictable and often grey.Gigi Umbrasaite’s top portrait photography tips: I like to keep my natural light portraits with as minimal editing as possible, always making sure my shots are 99% spot on when I take them. I made minimal Lightroom exposure and colour correction followed by Photoshop dodge and burn. This took quite a few attempts but I think we nailed the shot. I also made use of the shadow from Pelle’s hand that dropped right across his face helping to block the sun and keep his eyes open. I wanted to capture some of the light peeking through the tree, so we decided to do a shot lying down on a bed of grass and white blossom that had fallen off the tree. I spotted a beautiful tree that was covered in white blossom that I thought would be nice to include in the portrait. It was a bright, sunny day so the light was harsh which meant we had to find some shade. This portrait of Pelle Frederiksen was taken in the Lancaster Gate area of Hyde Park in London. Seek shade from nearby trees on bright, sunny days. Kateryna’s skin didn’t needed much minimal dodge and burn was enough to lift the shadows. I used Lightroom to apply a small amount of colour correction and tweaked the shadows and exposure. This also gave the appearance of the location being in the fields in the countryside and not in the heart of London. I framed some of the grass just in front of my lens to add interest and create more depth. I spotted reed sweet-grass that was already dry and a golden colour that beautifully matched Kateryna’s hair, giving us lovely, earthy tones. As always, I look for interesting backgrounds that will complement my subject. It was a gloomy day, but in this case, it was working well for us as it was adding to the mood. This shot of Kateryna Zub was taken in Hyde Park, London. Shooting on a dull day can often add to the mood of a portrait. But after opening them into Affinity Photo, I realized I may be wrong.Kateryna Zub. I didn’t hold out much hope for the Raws after viewing them on the back of the camera. I headed to this beach in South Wales with high hopes, only to be met with flat light, grey skies and relentless drizzle. Sometimes a scene might seem disappointing, only to reveal hidden delights in post.
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